Arts Project Support
Arts Project Support
Wolf Tales
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Amanda Cortes: Equity, Diversity, Inclusion, Program Development, Community Development; Ben Owen: Artistic, General Management/ Administration/ Support, Program Development; Brita Midness: Fundraising, Volunteerism, Education; Gabrielle Sacha: Volunteerism, Marketing/Audience Development, Technical Production; Margo Gray: Artistic, General Administration, Organizational Development; Pa Na Lor: Artistic, Education, Audience Development / Marketing; Quinn Villagomez: Artistic, Audience Development / Marketing, General Administration.
ACHF Arts Access
At least 50% attendance capacity (100 people) at all shows, with a total of at least 600 tickets sold. We also plan to meet the budget goals in fundraising and finish the production in the black. Positive feedback from audience- this includes paper surveys in program, and online submission option, and a pom pom and emoji labeled basket system in the lobby for the young audience feedback - of the youth surveys we hope to have 98% report they liked the show. We also hope to have at least twenty participants per show at the pre-show workshop and therefore onstage in the interactive dance section of the performance.
While we were not able to complete this project as planned, it has inspired us to explore new ways of engaging our audience. The opportunity to convert this grant to a General Operating grant will allow us to realize this vision through the creation of a portable stage and sound system and development of productions designed for this platform.
Other,local or private