Arts Project Support
Arts Project Support
Rhythmically Speaking presents The Cohort 2020
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Amanda Cortes: Equity, Diversity, Inclusion, Program Development, Community Development; Ben Owen: Artistic, General Management/ Administration/ Support, Program Development; Brita Midness: Fundraising, Volunteerism, Education; Gabrielle Sacha: Volunteerism, Marketing/Audience Development, Technical Production; Margo Gray: Artistic, General Administration, Organizational Development; Pa Na Lor: Artistic, Education, Audience Development / Marketing; Quinn Villagomez: Artistic, Audience Development / Marketing, General Administration.
ACHF Arts Access
Quantitive: three choreographers (and RS Artistic Director) are selected and produced, 500 people attend our production. Qualitative: 80% + of audiences note the quality of the show as eight or higher on a ten point scale on our surveys, and written survey notes indicate positive experiences had by choreographers, performers and all other personnel. Evaluation methods will include audience and personnel surveys, distributed both in print at the production and digitally afterward, as well as a post-mortem meeting by the advisory panel.
Quantitative goals of artists to work with were met. Due to Covid restrictions, we did not meet our original goal of 500 people attend our production, are happy with the number we ended up with - 200. As for qualitative outcomes, the great majority of our survey respondents indicated 8 to 10 out of 10 satisfaction with the programming and offered positive comments.
Other,local or private