Arts Project Support
Arts Project Support
New Works 4 Weeks 2020 Festival.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner.
Adrienne Doyle: Youth Programming, Artistic, Community Service / Development; Betty Mackay: Artistic, General Administration, Organizational Development; Charles Campbell: Artistic, General Management / Administration, Audience Development / Marketing, Artistic; Lydia Sadoff: Artistic, Education, General Management/Administration/Support; Marcus Young: Artistic, Community Education, General Management / Administration; Sai Chang: Volunteerism, Fundraising, General Administration; Sherine Onukwuwe: Artistic.
ACHF Arts Access ACHF Arts Education ACHF Cultural Heritage
Post-program participant evaluations will demonstrate that at least 80% of participating artists meaningfully deepen or expand their artistic practice. Post-performance surveys will show that at least 70% of audience members are inspired to think critically, reconsider the performance's subject matter, or discuss the performance with someone else. All participating artists will complete a post-program narrative evaluation, and all audience members will be invited to complete a post-performance survey. We also will track artist and audience count through the WIP/IA programs and the festival box office.
We did not require our artists to complete written evaluations due to COVID-19, but anecdotal conversations indicated 100% meaningfully deepened and expanded their artistic practice in the months before the pandemic set in. 100% also reported positive impact in terms of how Red Eye handled program changes due to COVID-19. Because we did not produce NW4W, we did not survey festival audiences.
Other,local or private