Arts Project Support
Arts Project Support
Rimon Artist Salon Series 2019-20.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner.
Bob Peskin: General Management / Administration, Finance / Audit, Fundraising; Brenna Mosser: Artistic, Education, General Management/ Administration/ Support; Denetrick Powers: Community Service / Development, Artistic, Audience Development / Marketing; Jennifer Ilse: Artistic, General Management / Administration; Karen Charles: Artistic, Education, General Management / Administration; Rob Thomas: General Management/Administration/Support, Program Development, Marketing/Audience Development.
ACHF Arts Access ACHF Arts Education ACHF Cultural Heritage
The Rimon Artist Salon Series intends to engage 250 participants over the course of the four events, at least 75 of whom are under the age of 40. 25% of the participants will be attending a Rimon event for the first time. Audience participation will be measured by the number of tickets sold or people admitted to the event.The participant's experience with the Rimon Artist Salon will be measured by both audience and participant surveys and through post-event dialogue and correspondence.
Two hundred eighty-two individuals participated in the Salon series, exceeding our goal of 250. Because of the Salons' recordings, the impact of the events extended well beyond the number attending. Several hundred viewers have watched the recorded version. 60% of the live audiences (many not Jewish) were attending a Rimon event for the first time. Eighty were under the age of 40.
Other,local or private