Arts Activities Support
Arts Activities Support
The Big Experiment Rhythmically Speaking 2018
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music Teacher and Performer; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney
Michelle Woster; General Management / Administration, Audience Development / Marketing; Betty Mackay; Artistic, General Administration, Organizational Development; Lacey Prpic Hedtke; Artistic, General Management / Administration, Fundraising; Tiffany Xiong; Fundraising, Community Education; Emma Kasiga; General Administration, Organizational Development, Community Service / Development; Carol Oyanagi; Artistic, Community Service / Development, Education, Jay Gilman; Artistic,Organizational Development,Audience Development / Marketing
ACHF Arts Access
Quantitative: seven choreographers are selected and produced, 400 people attend our production. Qualitative: 80% + of audiences note the quality of the show as eight or higher on a ten point scale on our surveys, and written survey notes indicate positive experiences had by choreographers, performers and all other personnel. Evaluation methods will include audience and personnel surveys, distributed both in print at the production and digitally afterward, as well as a post-mortem meeting by the board.
Our goals for quantitative outcomes were met, with 8 choreographers supported (goal: 7), and with about 500 people attending (goal: 400). Goals for our qualitative outcomes were also met, with 90% of audiences noting the quality of the show as 8 or higher on a 10 point scale on our surveys (goal of 80%+), and those involved with the show overwhelmingly indicating having positive experiences.
Other,local or private